John Doe and the Sadies @ the Lion’s Lair, July 28, 2009 – Reverb
From the first plea in their opening cover of Waylon Jennings’ “Stop the World and Let Me Off,” you could feel that last Tuesday night’s set from John Doe and the Sadies at
Weaving through Denver Music, Art, Culture, and Life
From the first plea in their opening cover of Waylon Jennings’ “Stop the World and Let Me Off,” you could feel that last Tuesday night’s set from John Doe and the Sadies at
Black Francis — a.k.a. Frank Black, a.k.a. the leader of alt- and indie heroes the Pixies — is a storyteller. His ability to thread a yarn through rambling, surrealist lyrics is only exceeded by his talent in wrangling pure and simple rock that’s a worthy backdrop for them.
Frontside Five has reached a sort of plateau in skate-punk, which actually involves leaving behind much of the genre’s simplicity in favor of some more complex rhythms, and a slightly more metal edge.
There are some artists that need to be alone, and then there are those that just plain can’t play with anyone else. It’s the latter group that put themselves on stage as a one-man-band — performing with total musical independence, total responsibility.
. . . the fervor, the excitement, the downright religious intensity Slim Cessna’s Auto Club brings to the stage never seems to fade, though I, like hundreds of other natives, have seen it regularly since they started out in 1992. . .
Jonathan Richman has a deeper affection for the Lion’s Lair than we thought. He played in the tiny Colfax dive-bar a year ago . . .