Tag Archives: Summit Music Hall

  • 2

The Ageless Rock of X on Point at Summit Music Hall

Tags : 

Photos by Michael McGrath, story by Molly McGrath

Punk is in its forties now, and everyone is celebrating, including LA’s iconic X. On their 40th anniversary tour, X is showing people that age has changed little, as their live performance remains extremely passionate and exhilarating. This tour included all original members of the band: Exene Cervenka, John Doe, DJ Bonebrake, and Billy Zoom. X rocked the Summit Music Hall last Saturday for an excited, age-diverse crowd.

Ahead of X’s return to the Summit stage, Oklahoma City’s Skating Polly provided a set that represented the post-millennial voice of the punk movement. Fronted by 17-year-old Kelli Mayo, the band brings together the eclectic aesthetics of 90’s girl grunge and the chaotic energy of contemporary teenagehood- picture Veruca Salt and Hole having a baby with Darby Crash, but now it’s a teenager and very angry.

X kicked off the set with “Beyond and Back”, and played a  20+ song set representing a variety of their albums. As they played the audience began to push and mosh, and frontwoman Exene Cervenka suggested they “push backwards” to protect people (especially girls) in the front.

Guitarist Billy Zoom, who has recently beat bladder cancer, put on a spectacular show, constantly smiling and making eye contact with members of his audience. Frontman John Doe is essentially ageless. Despite being a man in his sixties, he has the power to create and expend more energy than almost any other artist I’ve seen.

As someone who has grown up on X and loved their music for years, it was an extremely impactful experience to see them live. Exene Cervenka has been one of my idols as a female artist for years, and her performance was radiant. Their show at the Summit reminded me why X is one of the most important American punk bands. Their music, an eclectic combination of punk, blues, and rockabilly, expanded and changed the punk genre, and the lives of so many. It was an amazing experience, and in general, just an extremely impressive set of music.

X is on a limited tour for the rest of September. Check them out!

9/17/2017 / BUFFALO, NY / THE TOWN BALLROOM

9/19/2017 / PORTLAND, ME / THE PORT CITY MUSIC HALL

9/20/2017 / BOSTON, MA / BRIGHTON MUSIC HALL

9/21/2017  / NEW YORK, NY / STAGE48

9/22/2017  /  PHILADELPHIA, PA / UNDERGROUND ARTS

9/23/2017  /  FALLS CHURCH, VA / THE STATE THEATRE

9/25/2017  /  PITTSBURGH, PA / REX THEATER

9/26/2017  /  KENT, OH / THE KENT STAGE

9/27/2017  /  COLUMBUS, OH / SKULLY’S MUSIC DINER


  • -
Photo: Isobel Thieme/DenverThread

Substance Flows from Peter Hook and The Light

Tags : 

Photos by Isobel Thieme/DenverThread

The Summit Music Hall was filled with history last Saturday night, as Peter Hook and the Light played both the New Order and Joy Division Substance albums in their entirety. Hook played his signature, unforgettable bass constructions alongside his son Jack Bates, who also played bass throughout the show, and keyboardist Andy Poole, drummer Paul Kehoe, and guitarist David Potts. The band did a masterful job replicating both New Order and Joy Division for nearly three hours, only stopping for a short break between the two records.

They started the first set with a few bonus cuts–“Dreams Never End,” “Procession,” and “Cries and Whispers”–before starting on the New Order album in order. The older songs stood out clearly from most of the rest of the New Order portion, which came from the band’s more accessible, dance-hit remix period. This part included highlights like the ubiquitous ‘80s hit “Blue Monday,” “Confusion,” “State of the Nation,” “Bizarre Love Triangle,” and the rest. While the band performed all the songs remaining true to their roots – Hooky’s bass was a bit overpowering at times – after five or six dancefloor legends they began to get somewhat tiresome. The crowd loved it early on but seemed to settle towards the latter half.

Hook didn’t address the audience much, although he did dedicate their version of “The Perfect Kiss” to the recently passed director Jonathan Demme, and later stopped the band to admonish some sort of skirmishing fans near the front. Otherwise, he was Hooky the smug professional for the entire set.

After a brief intermission -no doubt allowing the band to load up on oxygen – they came back out and played Joy Division’s version of Substance – and they looked as if they’d just begun, rather than having already played a full 90-minute set. And the audience was re-energized right along with them, screaming out lyric after lyric to nearly every song, pogoing, or simply swaying in old-school shoegaze form. Hearing such influential and brilliant classics like “No Love Lost,” “Warsaw,” “These Days,” and “Leaders of Men” performed live was a hugely satisfying experience. Hook did a good job of approximating Ian Curtis’s signature vocal style while keeping his own affect pretty evident.

It was the last half of the Joy Division set that brought the place down when the band launched into songs like “Transmission,” “She’s Lost Control,” “Dead Souls,” and “Atmosphere.” Even after nearly three hours of playing, the band never looked or sounded worn down, and did justice to the original post-punk anthems. And then, of course, came time to play the ubiquitous (but still emotionally jarring and brilliant) “Love Will Tear Us Apart.” As you’d expect, nearly the entire audience sang every word along with the band, which stopped playing at one point to showcase the howling that absolutely filled the venue.

While Peter Hook remains in litigation with the other member of New Order–something he often comments is truly heartbreaking–his tours have re-introduced these important albums to so many, and in many cases have introduced them for the first time, with great respect. The records’ longevity is absolutely evident, and the insight and ingenuity of the lyrics and music are, maybe, more relevant now than when Curtis was alive.


  • -

Suicide Girls Rocked Lodo with the Blackheart Burlesque Saturday Night

Tags : 

Suicide Girls: Blackheart Burlesque heated up Lodo Saturday night. (Photo: DenverThread)

Suicide Girls: Blackheart Burlesque heated up Lodo Saturday night. (Photo: DenverThread)

The Suicide Girls – that world famous group of beautiful, and beautifully decorated, pinups – presented their latest version of the Blackheart Burlesque last Saturday night to a packed, panting house.

Suicide Girls Rocked Lodo with the Blackheart Burlesque Saturday Night

So much more than your average burlesque, this Blackheart version tapped Star Wars, Game of Thrones and about a million other pop culture icons as bedrock for some hot, sensuous choreography. And – besides a few of the necessary accouterments that various costumes required and their signature ink and piercings – these ladies wore nothing much more than panties and pasties. From the opening number, featuring a steamy dance to Kenny Rogers & the First Edition’s hit “Just Dropped In (To See What Condition My Condition Was In)” (hat tip to The Big Lebowski) – just after kicking off a maligned stripper grinding to “Hey Big Spender”- to a troupe of scantily-clad Imperial Storm troopers, these ladies kept an already sweating, sardined crowd rapt and yelling for more. The show was masterfully hosted by Katherine Suicide, and featured dancers BambuBricksieMaxxy,Priddy and Razzi – ostensibly the best of the thousand-plus bunch.

But – rather than gum it up with my words – let the photos speak:

 

 


InstaThreads

Subscribe via RSS!

Receive the latest news and reviews from DenverThread via RSS.

Subscribe to DenverThread Emails!

Looking for the best music site in Denver? A place you can follow threads through music, specifically in and around Denver, DenverThread is dedicated to identifying and exposing threads in music to satisfy your need. Subscribe to receive periodical emails, announcements, specials and more! Don't worry - we'll never share your email information in any form, with anyone, ever. you can trust us.
* = required field