By Isobel Thieme, DenverThread Reporter
Inside the lightly marked door, signed GLOB, I found what definitely presented this awesome DIY culture I’ve been hearing so much about. There was a sparkling and open stage-looking space with a dreamy ambience, full of hanging christmas lights. The small room almost gave me the feeling of being in the womb, with its droopy, soft ceiling mixed with the heat coming in from outside. The stage was on the floor, on the same level as the audience, who were sitting in old car-seats, outdoor furniture, desk chairs, and living room furniture. All of it felt collective –like, though I had nothing to do with the development of the space, it was by and for everyone there They even provided La Croix for refreshment, a relief from the heat.
Titwrench was born in 2009 in Denver’s DIY scene, with the intention of celebrating and empowering women and LGBTQIAP artists who are pushing the boundaries of music and art, and to inspire others to do the same. Throughout my entire experience at Titwrench, I saw endless examples of this kind of inspiration and cultivation of a culture celebrating art. The Titwrench collective believes that music should be accessible to all ages, gender identities, and communities.
While Malkah Duprix, a perfect example, played her bright blue electric guitar, a small girl no older than three or four danced, giggled, jumped, and listened, using the open space as her own musical, magical playground. Live music is too-often not accessible to such young hearts, and Titwrench made it possible.
A little later inside the tiny house stage – another indoor stage constructed inside a tiny house – Star Canyon played ambient underwater wolf goth, a genre I had never heard of until that day (I would come to learn about many new genres before the day ended for me). I would describe it as Bjork-inspired, organic music with antlers and a pulsing heartbeat. It was a huge sound for such a tiny space, which only made us feel it even more.
Beautiful, Experimental, Essential
The Titwrench vibe thrived in this small and intentional space, continuously opening with words of support and reeking wildly, beautifully of burning sage. All kinds of people walked around, tacos in hand, thirsty for music. The close feeling of intimacy the people and space created made the audience a work of art, too, just by being there.
Much of the music we heard was experimental, proof that Titwrench is not only allowing for it, but intentionally creating a cultural space for women and LGBTQIA people of all ages to experiment musically, emotionally, physically, and personally. It’s hugely important that more spaces like this one are created and sustained, in Denver (maybe in every city). We desperately need more spaces where art is happening, where it’s supported, heard, seen, living, and where it’s accessible to everyone. The creative arts and the people making it deserve that space, and our young minds and spirits need it