DenverThread

The “Denver Sound,” long dead, makes room for lighter, noisier, funner genres in the scene (2)

3/03/10 •

The world-famous “Denver Sound” has petered out.

Which is not to say that the beautiful, often over-the-top and heavy handed gothic alt-country sound isn’t significant anymore – not at all. That sound helped put Denver back on the musical globe in the ’80s and ‘90s, and still attracts its fair share of fans. It’s still appreciated world-wide, and many remain ravenous for it – especially in Europe.

But it exists currently in a type of atrophy in Denver – it’s taken a back seat that has allowed an insurgence of more than a few different genres to begin to flourish, or re-flourish, as the case may be. Denver has a strong music scene – perhaps the strongest in the US (at the moment) – and part of its strength comes from its wide variety. So if the sometimes overbearing popularity of the “Denver Sound” – indeed the often overweighted nature of the sound itself – is waning, it can only be good news for the lighter, the more pop-y, the innovative and indie, or the more aggressive and punkier genres.

And that’s exactly what’s happening in the bar, dive, club, backyard and warehouse scene right now.

Live DenverThread Review: The Inactivists provide some sweet, sickly heartbreak for the love-challenged (1)

2/09/10 •

Scott Livingston isn’t someone you want to wrong, particularly in the arena of love. As frontman of Denver band The Inactivists, a band known for its nerdy humor mixed with artsy rock, he’s got a soapbox that’s pretty tall. And with the band’s latest record, “Love Songs and Other Songs About Love,” they’ve taken the heartbreak of a dissolved relationship and bent it into an aural sculpture on a framework of sardonic and geeky wit, and Livingston is the mouthpiece.

Even more extreme than the record, Inactivists’ live show is one to be reckoned with, and they showed it off last Saturday night (January 30) at the Walnut Room in front of an impressive crowd. Behind his electric ukelele, Livingston cuts an impressive figure that belies the internal strife his lyrics portend. He’s more than well met by Victoria Lundy’s wild and earthy performance on the theremin and Pattie Melt’s smooth, punky saxophone and accordion, Matt Sumner’s bass funk and Kelly Prestridge’s complex rhythms.

Lion’s Lair Art Shows: East Colfax finds Jesus, and he’s hangin’ at the Lair! (1)

1/27/10 •

Matthew Hunter is keeping his artful promises, and this time the results approach the sacred – and may come close to a little of the profane as well. Hunter promised himself recently that he would hold a cooperative art show in the Lion’s Lair, Denver’s venerated punk rock dive, every other month into perpetuity, or for as long as he (and the community) could stand it – whichever comes first.

Threading The Scene: The Inactivists spread their love straight into the heart of Denver (0)

1/25/10 •

I’ve been introduced to the perfect collection of songs to commemorate the “holiday,” complete with the appropriate level of irony, humor and lovelorn misgivings in The inactivists’ “Love Songs & Other Songs About Love,” released last year. So much more than merely a pile of rosy, soap opera schmaltz, this record, through The Inactivists’ sharp wit and sense of humor, represents probably the most honest revelation of love from the eyes of a constantly unrequited nerd (and let’s face it, all of us have been that, at one time or another), played by a band of Muppets that landed a daily gig in a bar inside David Lynch’s cranium.

The five piece plays an eclectic style of pop that defies any one genre, and deifies many. Sometimes it’s funk from Sly & the Family Stone – albeit often with an overwhelming flavor of Morris Day & The Time – and sometimes it’s arty rock from bands like King Crimson, or sick and flirty forays into psychedelia that rival Butthole Surfers’ wildest.

Music News: Michael Gira announces plans to reactivate Swans in the Fall (0)

1/21/10 •

Michael Gira, founder of Young God Records and vocalist/visionary front for Angels of Light, used to live a somewhat louder existence. An existence replete with just as much musical and lyrical beauty as the Angels’ output of over the past decade, but one that was also terrifyingly violent, brutal, hostile and swathed in a noise that had not been heard before, and has (so far) not been heard again since it was silenced with the death of his first band, Swans.

And Gira has announced what was constantly up to now only seen as an impossibility: he’s decided to reactivate the legendary band, and will release a new collection of songs (tentatively) in the fall of 2010. Plans for touring are also reportedly in the works.

The Reverend Horton Heat @ the Boulder Theater, 01/15/10 – Reverb (0)

1/21/10 •

As far as psychobilly goes, you’re not likely to find a better practitioner than Jim “Reverend Horton” Heath and the rest of his legendary trio, the Reverend Horton Heat. The Texas group graced the Boulder Theater last Friday night in the middle of a multiple night tour in Colorado. Too bad the Boulder crowd didn’t completely wake up for the show!

New CD Reviews – Denver Local Edition! Gangcharger, Ideal Fathers offer new tunes (0)

1/13/10 •

Two local bands make some fantastically furious noise with two new EPs. Denver fans of loud, noise-addled shoegaze rock and wild, frenetic screaming punk will rejoice!

The Rev. Peyton’s Big Damn Band @ the Larimer Lounge, 01/09/10 – Reverb (0)

1/11/10 •

Rev. Peyton’s Big Damn Band kicked off their tour of the American West last Saturday night at the Larimer Lounge fresh and full of their characteristically furious country blues spirit, and added some punchy humor to the mix, to boot.

Slim Cessna’s Auto Club @ the Bluebird Theater, 12/30/09 – Reverb (0)

1/06/10 •

Leave it to Slim Cessna’s Auto Club, who have put on one of Denver’s best live shows for more than a decade, to be the only band that could outdo their own reputation. That’s what happened last Wednesday at the Bluebird in the first of two New Year’s Eve celebratory shows. The six-piece not only proved their consummate showmanship, often sardonically tongue-in-cheek, but also a grasp of drama, playing as the cast of the classic cartoon Popeye. And they added some new tunes to their set — the first in more than three years.

Melt Banana @ the Bluebird Theater – 12/07/09 – Reverb (1)

12/10/09 •

For the first 25 minutes of their set at the Bluebird Theater Monday night,Melt Banana blasted the crowd with a melange of noise and darkness — pierced only by the members’ head-mounted lights — that felt like my imagination of shock therapy, without the benefit of that thick piece of rubber they shove in your mouth to keep you from biting through your tongue. Never have I been so impressed by the venue’s sound system, nor have I ever felt the need to don earplugs so badly. And yet I, along with the smallish, half-capacity (at best) crowd, loved every ear drum piercing minute of it. So much so that when the four piece settled into more accessible, 30- to 90-second pieces with recognizable rhythms and chords for the remainder of their set, we all seemed to miss the cacophony.

The Don’ts and Be Carefuls, Josephine & the Mousepeople @ the Meadowlark – Reverb (0)

12/09/09 •

It’s no shock that DBCs are gaining a following, and quickly. As Banker said in a recent interview: “We want to play music that is crazy fun, but also has some substance to it. We want people to have so much fun they shake where they stand.”

Threading the Scene: An Interview with The Dont’s and Be Carefuls (1)

12/03/09 •

Officially a band for just under two years (and a significant part of that time was spent finishing school up in Greeley), Denver’s The Don’ts and Be Carefuls are quickly racking up a live history that many local bands would die for. In that short time, they’ve shared the stage with bands like Hot IQs, Tapes ‘N Tapes, Mumiy Troll and HEALTH, to name a few, and they’re already throwing an EP Release party Friday night, December 4, at Meadowlark.

Not to say they sound alike – well, maybe a little (I wouldn’t be surprised to find that their sheet music shared similar coffee stains) – but Hot IQs corpse has barely quit steaming, and with The DBCs, Denver’s already faced with a suitor more than capable of helping us to move out of mourning, and back on to the dance floor. This band’s catchy thrash-while-you-stomp-and-giggle style is bound to prick up more than a few dozen ears after Friday night, and should be well on its way into the local scene’s psyche by the time the weekend’s over.

Pixies @ the Fillmore Auditorium (Day 1) – Reverb (0)

11/17/09 •

If you were a young adult anywhere near the “alternative” music scene in 1989 when the Pixies’ “Doolittle” album was originally released, you remember its buzz. This was no “ordinary” record, and it came from a decidedly un-“ordinary” band, at least for their time. Its significance has more than survived the test of time, which is exactly why the band was at the Fillmore Auditorium on Monday night to perform the whole damn thing — along with some subsequently released B-sides from around the same time.

Mason Jennings, Nathaniel Rateliffe & the Wheel @ the Bluebird Theater – Reverb (0)

11/15/09 •

You might think that Mason Jennings’ decision to become a member of Jack Johnson’s Brushfire label family would be an iffy move for the fiercely independent singer-songwriter that he is, and whether the association would soften his style. I did, until I saw him play at the Bluebird last Friday night. I was certain I would be subject to a too-clean, pop-folky string of bouncy, happy tunes, the ilk of which build up the majority of Johnson’s oeuvre. Not so. Jennings remains a strong, almost surly and unabashedly political songwriter, with more in common with Paul Westerberg or Elliott Smith than the lighthearted crooner.

Threading the Scene: Denver’s Deadbubbles’ unbeatable live show comes easy, but packs plenty of raw power (0)

11/14/09 •

Arlo White has always wanted to be in a band. “Ever since I was a kid,” he told me during a recent discussion, “I’ve always been focused on the idea of being in a rock band . . . .” After years of trying repeatedly to pull friends, friends of friends, people he’d meet at shows – and just about anyone else – into his dream, he’s finally met it with Denver’s Deadbubbles. This band is one that Jack Black’s character in “School of Rock,” die-hard rock ‘n roll fan Dewey Finn, would be proud of – one that mixes passion and simplicity with solid knowledge and respect for the classics.

DenverThread Live Review: Vitamins w/The Outfit, Meadowlark, 11/7/09 (0)

11/11/09 •

The Meadowlark Bar continues to set the bar for live national and local lineups in a hip, comfortable environment night after night. Last Saturday’s lineup was no exception, and featured The Outfit and headliners Vitamins, both originally from Greeley, after being supported by Johnny Burroughs (also a Greeley native) and Seattle’s garage-bluesy The Curious Mystery. The last two groups stole the night, and each packed the place with what looked like two separate crowds.
Vitamins’ style ranges from sweeping, ethereal arrangements that recall Cocteau Twins and Ride, to grooving psychedelic noise pop reminiscent of Sonic Youth or Yo La Tengo. Strong, anchoring euro-jazz bass lines and often sparse, lilting vocals also add an otherworldly, Stereolab quality to it as well. Their mixture of these influences creates a sound that’s almost entirely their own – but not quite. For a relatively young band – they formed in 2005 in Greeley, and transplanted themselves in Denver not too long after – they’ve come a long way in a short time, but still seem to favor different influences on an almost song-by-song basis. Overall, though, the variety makes for one of Denver’s more exciting live shows.